I mean, really: group choreography is the scientifically proven answer for pop success. They didn't even need cleavage, and it's still better than the over-budgeted, over-acted weakling skin flick that was the original Gaga video.
Thursday, April 29, 2010
How Lady Gaga got schooled
A few posts ago, I lamented the lost art of the Pop Music Video. I never thought I would have to look to the military to appease my need for booty-shakin' good.
El muerto en motora
Yesterday, my boss had me Google "custom made men's underwear." I spent the day discovering companies like buffdbod.com and yourprivates.com.
Today, my students told me I was too old to have children.
"Miss Lohmann, you got kids?"
"No."
"Just babies?"
"...no. Two cats."
*student wrinkles nose*
"Miss Lohmann, how old are you?"
"24."
"Well whatchyou waitin' for?? You can't be havin' them in your 30's. You supposed to be a grandma then."
And all I could find on the internet was this:
Grandmother makes a baby! With her grandson.
and this:
Incidentally, it's been a rough week.
Tuesday, April 27, 2010
A very tiny soapbox
I generally don't like to get involved in political discussions over the internet, as they are often polarizing and easily misinterpreted, but this new law in Oklahoma is making me completely sick to my stomach.
Regardless of one's stance on abortion, the fact is that it exists. It has always existed.* And whether or not it is legal, it will continue to exist.** The question to abolish it is nonsensical; the question to regulate it is complicated. However, requiring that the pregnant woman must undergo an expensive and invasive procedure (from which the doctor retains the right to lie to his patient about the developmental status of the fetus) begs the bigger question: is Oklahoma going to be spending an equivalent amount of money and effort on this child after they manipulate the woman into keeping it?
Somehow, I believe the answer is, "Well, no. She's in charge of the thing now, isn't she?"
I believe in shades of gray and exceptions to rules.*** And I believe that laws like these do not consider the complexities of a very muddled issue (these screenings require the woman to hear a detailed description of the fetus' heart, limbs and features, and are mandatory for all women, including rape and incest victims). It is in this regard that the law is not only ludicrous, but also downright disgusting.
*The "Concerned Women of America," Conservative, Anti-choice site dedicated to spreading biblical principles throughout the land.
**"National Abortion Federation," Liberal, Pro-choice site dedicated to spreading awareness about women's health and safety across the land. Both sites acknowledge the rich and dangerous history of the black market abortion.
***I do not readily identify with the Elephant or the Donkey. I was raised in an extremely conservative household but went to an arts high school and then a women's college: I've visited both sides of the mirror. While I do not believe entirely in either political party as they currently present themselves in our country, I do believe in certain inalienable rights: everyone, not just the financially privileged, should have the opportunity for healthcare and a safe educational environment. Both the Elephant and the Donkey have ignored these rights when they don't best serve their respective agendas. (Because isn't voting what politics are all about anyway? We're only fooling ourselves if we believe that any time a politician is faced with a national dilemma they don't poop their pants over voter's retention before having a go at a real solution. If they ever have go at a real solution.)
Monday, April 26, 2010
How Pop Music Saved My Life (or, Disillusionment and the Music Video)
While driving, I exclusively listen to top 40 stations. It began in college when I found myself road-tripping through the Blue Ridge on a weekly basis, sometimes driving straight through the night on an ill-advised Red Bull and cigarette high. When the caffeine buzz waned and my car companions had all gone comatose, I found myself completely alone on a deserted highway at 3 am. Virginia is not big on the street light, and being the lone car in the pitch of early morning puts you at considerable risk for Death by Deer. I remember once, while driving from Roanoke to Houston (a nonstop 26 hours), I found myself in what appeared to be the drop point for the local serial killer-- limbs were strewn across the road as though they had been dumped from the back of a pick up truck, and all I could make out were their spindled shapes, sometimes flattened, studding the bloodied ground. As I slowed (which still baffles me; in my right mind the instinct would surely be to flee) I caught site of the tapered nose from a decapitated deer. Some poor truck driver, no doubt, had unwittingly come upon a pack of deer; the impact was clearly so immediate that the bodies more or less exploded, leaving nothing behind but a 50 yard stretch of solid carnage.
Despite the fear induced by facing what appeared to be the opening shot of a B horror film (or worse, a Tarantino/Rodriguez mashup) I still found myself overwhelmed with exhaustion. Nothing in the world made more sense than to fall asleep. Right there. Wheel in hand. Surrounded by dismembered roadkill. And so I turned to the radio.
Sometimes, it's the obvious appeal of pop music: the catchy beats, the flashy vocals, the simple lyrics. One year, I went through a phase where the only thing that could keep me from nodding off were the first three songs on Britney's Blackout album, blasted at decibels rivaling the crowd at a Hanson concert circa 1998. I will be in my car, on hour 12 of straight driving, past the point where food or caffeine retains any kind of effect whatsoever, and Rihanna is my upper. The Black Eyed Peas. Justin Timberlake. Lady Gaga. The Pussycat Dolls. Basically, all the stuff you would never list under Facebook's "Favorite Music" section.
But sometimes I listen to top 40 stations because they get me riled. Some of these songs are so poorly written, so blandly executed, that I am baffled at their success. Take, for example, Ke$ha. Now, I have no animosity towards the girl herself-- she, like all the rest of the pop starlets out there, is a carefully crafted, heavily marketed image for the pop crowd who needs a breather from Gaga. She is plain ol' easy-to-swallow vanilla pop, whose heavily synthesized music can get your foot tapping despite her stupid name and asinine lyrics (The boys are lining up cuz they know we got swagger/ but we kick 'em to the curb unless they look like Mick Jagger). The less I know about the puppet behind the song that keeps me from crashing into a tree at night, the happier I am to sing along to, laugh at, and rant about the songs themselves.
But we all have YouTube. And I have the relatively common habit of looking up the photos and music videos of the people whose music prevents my untimely demise. Sometimes, I am pleasantly surprised: take Kanye's Love Lockdown, JT and Madonna's 4 minutes, or Gaga's Bad Romance (the Cremaster of pop music videos: over-budgeted, overrated, heavy with semi-ambiguous symbology... but visually delicious). But then you get videos like this, where the song is a flimsy pretext for an outrageous plot with bad acting and over the top product placement. It's like a bad porn without the sex, and maybe a little Super Bowl ad campaigning thrown in for good measure. Vomit.
No! No! No!!!! It's like watching Kate Gosselin on Dancing with the Stars--those vacuous eyes, the plastered expression of unmasked discomfort. Elly Jackson, what were you thinking?? I can run with the geometry-- I don't generally need to know "why" for my music-video-viewing pleasure-- but why did we go with "sad face" for this one?? I really thought, when I heard the song on the radio, we'd have some humor, something a little more energetic-- think Depeche Mode's gogo dancers from "Personal Jesus."
The music video is an absurd thing. To go back to my former comparison, it is not unlike a porn-- there's the basic premise of a song (sex), for which the video is responsible to accommodate. The storyboards these days seem to attempt the "plot line" more and more, which (as in a porn) generally feel groundless and wanton. I'm more into "Pick a theme" videos, where they run with some kind of general aesthetic and add some dancing. It's MUSIC. We don't need a 4 minute sitcom or documentary. We need costumes! Synchronized jazz squares! Maybe a few booty shakes and a little animation!
There's the old joke about rap videos showing nothing but booty, cars and money, and honestly I feel like it's a much better formula than the crapshoot that occurs when pop strays from their own group choreography, sexy faces, and glittery costumes. If you MUST stray, just don't axe the choreography-- we don't want to see you cry in your video and stare soulfully into the camera's eyes (or, the case of Elly Jackson, attempt to stare soulfully). We want to see you strut, pop and lock it. I'm not even going to qualify the statement as a generalization. It's practically science.
An example of how a well-crafted video made me overcome initial gag-reflex to the song. Well done Michel Gondry: we are not worthy.
Saturday, April 24, 2010
Bibliophilia
For the sole, arbitrary reason that the book is sitting on my bookshelf, I've decided that my summer will look like this:
- Don Quixote Miguel de Cervantes
- War and Peace Leo Tolstoy
- Ulysses James Joyce
- In Search of Lost Time Marcel Proust
- The Brothers Karamazov Feodor Dostoevsky
- Moby-Dick Herman Melville
- Madame Bovary Gustave Flaubert
- Middlemarch George Eliot
- The Magic Mountain Thomas Mann
- The Tale of Genji Murasaki Shikibu
- Emma Jane Austen
- Bleak House Charles Dickens
- Anna Karenina Leo Tolstoy
- Adventures of Huckleberry Finn Mark Twain
- Tom Jones Henry Fielding
- Great Expectations Charles Dickens
- Absalom, Absalom! William Faulkner
- The Ambassadors Henry James
- One Hundred Years of Solitude Gabriel Garcia Marquez
- The Great Gatsby F. Scott Fitzgerald
- To The Lighthouse Virginia Woolf
- Crime and Punishment Feodor Dostoevsky
- The Sound and the Fury William Faulkner
- Vanity Fair William Makepeace Thackeray
- Invisible Man Ralph Ellison
- Finnegans Wake James Joyce
- The Man Without Qualities Robert Musil
- Gravity's Rainbow Thomas Pynchon
- The Portrait of a Lady Henry James
- Women in Love D. H. Lawrence
- The Red and the Black Stendhal
- Tristram Shandy Laurence Sterne
- Dead Souls Nikolai Gogol
- Tess of the D'Urbervilles Thomas Hardy
- Buddenbrooks Thomas Mann
- Le Pere Goriot Honore de Balzac
- A Portrait of the Artist as a Young Man James Joyce
- Wuthering Heights Emily Bronte
- The Tin Drum Gunter Grass
- Molloy; Malone Dies; The Unnamable Samuel Beckett
- Pride and Prejudice Jane Austen
- The Scarlet Letter Nathaniel Hawthorne
- Fathers and Sons Ivan Turgenev
- Nostromo Joseph Conrad
- Beloved Toni Morrison
- An American Tragedy Theodore Dreiser
- Lolita Vladimir Nabokov
- The Golden Notebook Doris Lessing
- Clarissa Samuel Richardson
- Dream of the Red Chamber Cao Xueqin
- The Trial Franz Kafka
- Jane Eyre Charlotte Bronte
- The Red Badge of Courage Stephen Crane
- The Grapes of Wrath John Steinbeck
- Petersburg Andrey Bely
- Things Fall Apart Chinue Achebe
- The Princess of Cleves Madame de Lafayette
- The Stranger Albert Camus
- My Antonio Willa Cather
- The Counterfeiters Andre Gide
- The Age of Innocence Edith Wharton
- The Good Soldier Ford Madox Ford
- The Awakening Kate Chopin
- A Passage to India E. M. Forster
- Herzog Saul Bellow
- Germinal Emile Zola
- Call It Sleep Henry Roth
- U.S.A. Trilogy John Dos Passos
- Hunger Knut Hamsun
- Berlin Alexanderplatz Alfred Doblin
- Cities of Salt 'Abd al-Rahman Munif
- The Death of Artemio Cruz Carlos Fuentes
- A Farewell to Arms Ernest Hemingway
- Brideshead Revisited Evelyn Waugh
- The Last Chronicle of Barset Anthony Trollope
- The Pickwick Papers Charles Dickens
- Robinson Crusoe Daniel Defoe
- The Sorrows of Young Werther Johann Wolfgang von Goethe
- Candide Voltaire
- Native Son Richard Wright
- Under the Volcano Malcolm Lowry
- Oblomov Ivan Goncharov
- Their Eyes Were Watching God Zora Neale Hurston
- Waverley Sir Walter Scott
- Snow Country Kawabata Yasunari
- Nineteen Eighty-Four George Orwell
- The Betrothed Alessandro Manzoni
- The Last of the Mohicans James Fenimore Cooper
- Uncle Tom's Cabin Harriet Beecher Stowe
- Les Miserables Victor Hugo
- On the Road Jack Kerouac
- Frankenstein Mary Shelley
- The Leopard Giuseppe Tomasi di Lampedusa
- The Catcher in the Rye J.D. Salinger
- The Woman in White Wilkie Collins
- The Good Soldier Svejk Jaroslav Hasek
- Dracula Bram Stoker
- The Three Musketeers Alexandre Dumas
- The Hound of Baskervilles Arthur Conan Doyle
- Gone with the Wind Margaret Mitchell
I love setting realistic goals. For the sake of time, I'm going to skip over the books I've already read (highlighted). I figure that, if I'm seriously going to attempt an MFA (and shortly thereafter, a PhD) in creative writing/literary arts, the least I can do is read all the books that are archetypal standards for comparative literature. You know, all the books we were supposed to read in school. (I cannot believe I've never read a stitch of Dickens, but am super grateful to have already trudged through the hobby horse that was Tristram Shandy.)
Aiming to read 75 books whose average page count is hovering around 500 before September is totes reasonable. An achievable goal. Lest you forget that I once hit the entire Harry Potter series in less than a fortnight.
What's a delusional knight got on preteen wizardry, anyway?
Friday, April 23, 2010
The Orangutan and the Hound
Tuesday-Thursday, I teach art at a charter school in downtown Baltimore to 1st-7th grade. The school is young and a little rough-- the older students are separated by gender (after too many were getting expelled for fornicating in the hallways...yes, you read that correctly) and I've lost not a few students to concealed weapon and assault charges. I begin my week with a 1st grade class of 28 who behave mostly like The Dog Whisperer's pit bull pack on crystal meth; without fail, my class ends with me on my knees, physically restraining a 6-year-old child who's spewing something along the lines of, "Bitch Imma kill you!" I end the day with a combined class of 6th and 7th grade boys who call me "Shawty." While they also become aggressive with one another every now and then, the biggest danger in that class is some light, casual, sexual harassment:
"Hey Miss Lohmann, can I get yo digits?"
"Um, whatever for?"
"So I can call you."
"I'm not sure the school board would be too happy about that."
"Miss, they don't got to know!"
The exchange is usually concluded with a stealthy duck and roll on my part when the boy goes for a full body hug. Though more than a decade younger than me and (supposedly) still prepubescent, all of my boys are roughly the size of a baby rhinoceros, and it's a littler terrifying to be charged by one.
Needless to say, I often come home in desperate need of decompression, and sometimes my mind craves Light, Fluffy, and Cute. I bring to you, as a Friday gift, Suryia and Roscoe.
I want an orangutan.
Thursday, April 22, 2010
Twit for Tat
This week in Twitter Feuds, we learned about "True Facts" from the Baios (as well as discovering the hidden aspects of the Attorney General's job description) and reexamined the Insult. Today, we get the thrill of discovering "False Lies!" via Twit Scrap between one Spencer Pratt and one Perez Hilton.
Now, I have no idea why Mr. Pratt is so angry, and honestly, I think it's more or less completely insignificant. The following exchange is cut down, mostly because Spencer just says "Bitch!" 200 times over, and it gets a little redundant. But you get the gist: he makes "bitchass lying unethical traitor" all sound like one word. The boy's got a gift; let's observe him in his natural habitat, as he hones his craft with nothing but a phone, the Internet, and 140 characters.
I'll be honest, I'm not a Twitter user, but the whole "@" thing looks ridiculous to me. I do love how Perez put Spencer's name in quotations, like he's allegedly "Spencer Pratt." I also like how he keeps the name calling to a classic MF, and maintains defense solely on attitude. Point to Hilton.
Okay, so, what the cuss is a "False Lie?" Wouldn't that be a truth? Point Hilton.
He'll take it street. Going the "Yo Mama" route without even having to use a mother. Beautiful. Point Pratt.
Laaaaaaaaaaaame. Rotten-produce-wielding-lame. This is just a big fat DUH. Point Pratt.
I love how he manages to call Ke$ha a pumpkin in the process of insulting Perez. Pratt is a machine of disparagement when he's on his game..AND he keeps it PG; see how he takes it playground? Double to Pratt.
He's so good at the Defame Game, he even took a knock at himself. I like it. 3 points Pratt, just because I laughed for a good 3 minutes after reading this zinger.
Allright, Hilton's been a little lame on the offense but I will say this: Pratt is exactly where Hilton wants him. All media is good media, in this case, and Hilton's got absolutely nothing to lose engaging with a shrill bitch-happy sleazeball via Twitter. Point Hilton.
I'll be honest, I'm not a Twitter user, but the whole "@" thing looks ridiculous to me. I do love how Perez put Spencer's name in quotations, like he's allegedly "Spencer Pratt." I also like how he keeps the name calling to a classic MF, and maintains defense solely on attitude. Point to Hilton.
Okay, so, what the cuss is a "False Lie?" Wouldn't that be a truth? Point Hilton.
He'll take it street. Going the "Yo Mama" route without even having to use a mother. Beautiful. Point Pratt.
Laaaaaaaaaaaame. Rotten-produce-wielding-lame. This is just a big fat DUH. Point Pratt.
I love how he manages to call Ke$ha a pumpkin in the process of insulting Perez. Pratt is a machine of disparagement when he's on his game..AND he keeps it PG; see how he takes it playground? Double to Pratt.
He's so good at the Defame Game, he even took a knock at himself. I like it. 3 points Pratt, just because I laughed for a good 3 minutes after reading this zinger.
Allright, Hilton's been a little lame on the offense but I will say this: Pratt is exactly where Hilton wants him. All media is good media, in this case, and Hilton's got absolutely nothing to lose engaging with a shrill bitch-happy sleazeball via Twitter. Point Hilton.
For those of you keeping score at home, the final count is Pratt:8, Hilton:3 Pratt wins mostly for volume and consistency, though I think we all know that winning the Douchebag race is kind of like coming out first in a diaper-eating contest. Congratulations are not necessarily the first thing on anyone's mind.
Wednesday, April 21, 2010
From the blog formerly known as "Livejournal"
Remember how I said that I would never, ever, ever write for just myself? Apparently there are worse things..
Crawling back into my shell to reevaluate history. One small treasure discovered today, however: I love it when I have the opportunity to recall what small words spoke to me, and why it happened when it did.
September 6, 2004
It is as if one could by-pass love, when the other eyes parry with a picture of one's own face, never arrive at marriage, either true or false, when eyes glaze and minds are more private than ever but could stop in between at a point where no one can stop.
-Mona Van Duyn, Into Mexico
18 is a mystery.
Tuesday, April 20, 2010
The Decline of the Insult
I've been haphazardly following the Twitter Feud between Jezebel and Scott Baio, and with the addition of his very eloquent and charming wife, I feel I can no longer sit on this plaguing question: when did the Insult become so pathetic? While "Shitasses" and "cuntness" receive points for humor (the comical element stemming from the button-cute blonde Mommy holding her lil bundled Future Bigot of America) they are largely unoriginal and juvenile. If she had stopped there, we could just assume she was a pirate in a past life and call it a day. But the woman goes on to use "class" as an adjective and "Lesbian" as an insult, and this is where we over at Elephantine, get a little bored:
WHEW. Glad you cleared that one up Renee! For a second there I thought you were hating on lesbians! But you have a friend who's gay? Cool, girl. By all means, you slur out the word, no worries. Now that we know you're cool with a Gay Person, you can really just go nuts.
PC backpeddling is more nauseating to me than the outright bigotry itself. She, and rightly so, anticipates an onslaught of negative criticism for using a sexuality as an insult, and thus asserts this doesn't make her a homophobe because she has a Lesbian Friend (because, in case you hadn't heard, Gay is the new Black).
And while she's covering her barmy arse, she really pulls out all the stops: Renee Baio, everyone, also has friends who are left- and right-wing, Christian and not, handicapped and otherwise, and come in various sizes and colors. (etc etc.) According to Renee, her circle of friends is made up of Michael Jackson's We Are the World Benefit audience. Girlfriend's backpedaling so hard, she flies right into some gibberish meant to appease animal rights activists.. at least, that's to whom I determine "with or without animals," could possibly be intended. (While the Asshole Flag is undoubtedly flying high over her online avatars, I somehow doubt that "Lesbian cunts" shows up on PETA's radar.) I guess, if you're going to cry hood pass, you may as well be thorough.
Then it just gets downright silly:
Now, here's where I feel enlightened: I had no idea the Attorney General was in charge of mediating commenting rules on social networking and media websites. Huh. Learn something new everyday.
Anyway, the Tweet that started it all:
I'm sure you can deduce all you need to about the Baios' political affiliation from there. Nonetheless, this is also coming from a man who capitalized on his being 45 and commitment-phobic. I don't know about you, but I'm inclined to say that Reality TV Featuring a Big Washed Up Bum doesn't really qualify as "hard-working," but that's neither here nor there. We're talking about the lost art of the insult today.
After recognizing that he'd blipped up as Republican/Whiny/Angry on the Jez site, he goes into full on defensive mode, no holds bar:
And then..
Oh GROAN. We're pulling the "take the high road" line and praying for one another now? AND arbitrarily throwing around the R-word? I think it speaks to his bigotry, that when he goes on the defense and attacks with abandon, the first thing he can think of is "a ignorant racist.**" Kind of like when Perez called Will.i.am a "Faggot." I love that he, like his wife, is completely thorough when they take the gormless road-- "blocking tweets" is the Twitter equivalent of "AND you can't come to my birthday party anymore! So there!"
Again, I'm a little sad that Irin took the "Go to hell" play, even if she did try to elevate it with a cutesy "sir." While I'll spare you the play by play for today's onslaught of the Baios' tweets and status updates (they're still taking the holier than thou road, undoubtedly reveling in the confidence that comes from being so tight with the Attorney General) but I will say this: if we are going to take the time to engage in a passive aggressive repartee via Twitter, Facebook, or any other social networking site, I implore the usage of your thesaurus. There's a widget for it, people. Then, at least when we're being forced to witness your temper tantrums, we won't have to look at words like "shitasses," or hear about the levels of "class" in your piss.
And maybe, one day, one of your awesome lesbo friends will let you know that while it's true some men "couldn't put up with their cuntness," the nature of being a lesbian means that the woman is not attracted to the man. Not the other way around.
Muttonhead.
** I didn't want to go SNOOT on you here, but "a ignorant" pretty much slammed what would otherwise have been a mildly uninteresting insult into full blown dumb ass territory.
Monday, April 19, 2010
This is why I do not own a TV
We are tortoise sitting for Josh and Liz, and part of the deal for taking on such an inconvenient, demanding schedule of ripping up limp lettuce once a day is that we get full access to a television set. Tonight we watched the pilot for a new Alyssa Milano show featuring an effeminate male trying to learn how to embrace softcore S&M via his disdain for Darth Vader.
What the cuss happened to TV?
Sunday, April 18, 2010
Oh for the love of Blog...
I have some difficulties with this noxious tendency to want to sort and order and organize everything from sock drawers to blogs.. and I think I'm just slowly coming to terms with the fact that this blog, quite simply, is purpose-less. Agenda-free. Completely without motive. And that's mostly okay with me.
Well, not really. Because I cannot leave well enough alone, I am going to give this blog an objective, however small: Daily Blogging. That's right, I will be posting once a day, every day, until.. well, until I don't.
And now for news: I was accepted into the Hollins University MFA program, and will be attending in the fall. (!!!) I get a rush when I think about being back in the Blue Ridge.. I just can't get enough of the mountains. I was also recently awarded a Baltimore City Artist Fund Grant for poetry which makes me a ....
Yes, that's right. I'm a WINNER! Who says there's no money in poetry?
And now, for a little gimmick that may become standby for bad days when trying to blog through fatigue: the Poem of the Day. Today it is a poem by Mr. Cummings, one whose volta has always left me a little conflicted: misogynistic or gracious, I can never decide. Certainly not what one would call Local Color, that's for cussing sure.
it may not always be so; and i say
that if your lips, which i have loved, should touch
another's, and your dear strong fingers clutch
his heart, as mine in time not far away;
if on another's face your sweet hair lay
in such silence as i know, or such
great writhing words as, uttering overmuch,
stand helplessly before the spirit at bay;
if this should be, i say if this should be--
you of my heart, send me a little word;
that i may go unto him, and take his hands,
saying, Accept all happiness from me.
Then shall i turn my face, and hear one bird
sing terribly afar in the lost lands.
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